SKU: BT.AMP-385-400
ISBN 9789043135832. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: BT.DHP-1206262-401
ISBN 9789043159166. English-German-French-Dutch.
Game Over for trumpet (optionally cornet or flugelhorn) with piano accompaniment is a lively composition with a playful character. The range of the solo part is limited to one and a half octaves, making Game Over an ideal performance or test piece for young musicians. The composition is further enhanced by the rhythmically appealing piano accompaniment. The work was written by Jan Hadermann as an optional piece for his grandson’s trumpet exam, to whom Game Over is also dedicated. Game Over voor trompet (optioneel kornet of bugel) en pianobegeleiding is een compositie met een levendig, speels karakter. De omvang van de solopartij is beperkt tot anderhalf octaaf, waarmee Game Over voor jonge muzikanten een ideaal stuk is om tijdens een uitvoering of op een examen te spelen. De aantrekkelijke ritmische pianobegeleiding biedt daarbij de nodige ondersteuning. Jan Hadermann schreef Game Over als keuzewerk voor het trompetexamen van zijn kleinzoon, en droeg het tevens aan hem op.Game Over für Trompete (wahlweise Kornett oder Flügelhorn) und Klavierbegleitung ist eine Komposition von lebhaftem, spielerischem Charakter. Der Solopart umfasst nur einen relativ begrenzten Tonumfang von anderthalb Oktaven: dadurch ist Game Over ein ideales Vortrags- oder Prüfungsstück für junge Musiker, dessen Wirkung durch die rhythmisch attraktive Klavierbegleitung noch unterstützt wird. Jan Hadermann komponierte das Werk als Wahlstück für das Trompetenexamen seines Enkels, dem es auch gewidmet ist.Game Over pour trompette (ou pour cornet ou bugle) et accompagnement de piano est une composition de caractère vif et enjoué. La partie solo présente une étendue relativement limitée d’une octave et demie. C’est pourquoi Game Over est une pièce particulièrement adaptée aux jeunes élèves, jouer en audition ou comme répertoire d’examen. Son effet est encore rehaussé par un accompagnement de piano rythmique et attractif. Jan Hadermann a écrit cette œuvre en guise de pièce au choix pour l’examen de trompette de son petit-fils qui en est aussi le dédicataire.
SKU: BR.MR-2239A
ISBN 9790004487877. 9 x 12 inches.
There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.
SKU: BT.DHP-1196087-401
ISBN 9789043157254. English-German-French-Dutch.
Fortuna for trumpet and piano came about as a commission by the Belgian trumpeter Manu Mellaerts. The title of the work refers to the goddess Fortuna of Roman mythology, who represents fate and fortune. The composition is characterised by its modern but by no means avant-garde tonal language, with which composer Jan Hadermann creates a wide variety of musical expression. This, together with its playing time of some nine minutes, makes Fortuna an ideal examination work for the conservatory-level student.Fortuna voor trompet en piano is in opdracht van de Belgische trompettist Manu Mellaerts geschreven. De titel verwijst naar de Romeinse godin Fortuna, die in de mythologie staat voor het (nood)lot. Het stuk wordt gekenmerkt door een moderne maar niet avant-gardistische stijl, waarmee componist Jan Hadermann een weidse variatie aan muzikale expressie aanboort. Hierdoor en door de speelduur van circa negen minuten past Fortuna perfect in het examenprogramma van de conservatoriumstudent.Fortuna für Trompete und Klavier entstand im Auftrag des belgischen Trompeters Manu Mellaerts. Der Titel des Stückes verweist auf die römische Göttin Fortuna, welche mythologisch für das Schicksal steht. Die Komposition zeichnet sich durch ihre moderne, jedoch nicht avantgardistische Tonsprache aus, mit der der Komponist Jan Hadermann eine große musikalische Ausdrucksvielfalt realisiert. Dadurch sowie aufgrund seiner Spieldauer von etwa neun Minuten ist Fortuna ein ideales Examenswerk für Hochschulstudenten.Fortuna pour trompette et piano est une œuvre commandée par le trompettiste belge Manu Mellaerts. Le titre de la pièce fait référence la déesse romaine Fortuna, incarnation du destin dans la mythologie romaine. Cette composition se distingue par le langage musical, moderne sans être avant-gardiste, gr ce auquel le compositeur Jan Hadermann lui confère une grande expressivité musicale sous diverses formes. Formant un total d’environ neuf minutes, ces qualités font de Fortuna une pièce d’examen idéale pour les élèves des conservatoires.
SKU: HL.48182926
UPC: 888680862978. 10.5x13.5x0.061 inches.
Max d' Ollone: Solo (F trpt) (Trumpet & Piano).
SKU: PR.114419070
ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.
Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .
SKU: BT.DHP-1125293-400
ISBN 9789043141789. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and trumpet in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trompet waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!Es gibt immer Bedarf an Stu?cken fu?r Klavier und Trompete, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt SpaÃ?. Two is a Team ? denn schlieÃ?lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trompette dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.
SKU: BT.DHP-1185860-401
ISBN 9789043155489. English-German-French-Dutch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. This work is a musical collage of impressions following the composers visit to Italy. The solo part can also be performed on euphonium or alto saxophone. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op euphonium of altsaxofoon worden gespeeld.Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Euphonium oder Altsaxophon gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un euphonium ou saxophone alto.
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